Dutch Jambless Fireplaces
The most basic hearth in a house is a simple fire
pit in the middle of the floor, with smoke filling the living space. The first
great change to this form was the move from the center of the room to one side
or end of the room, where the wall could give support to a smoke hood to direct
smoke outside. Smoke hoods could usually be put into and removed from a
building without affecting the rest of the structure, and from them developed
the chimney, a permanent, integral part of a building. Although chimneys were
difficult to remove or change, they were also easy to put on an interior wall
or use in a house with a second story or attic, because they did not need to
vent directly through a wall or roof. By the late medieval period hearths were
generally wide and shallow. The mantel was supported by corbels and
occasionally pillars. During the sixteenth century much of Europe saw the
fireplace recede between the two sides, or jambs, that enclosed the hearth.
The jambless fireplace may have
developed because of the Netherlands themselves. The country is marshy, and in some
places construction can only be done by sinking beams into the earth to support
the building above. The Renaissance scholar Erasmus once described Amsterdam as
a city of people living in the tops of trees because the entire city was built
on these posts. The weight of a large enclosed hearth may have been difficult
for builders in this style to support. Instead they shifted the weight of the
chimney to the house’s support beams. Alternately, some surviving smoke hoods
in Scotland (where they were called hingin lums and used into the twentieth
century) appear similar to the jambless fireplace, and the smoke hood might
have been integrated into the house’s structure to allow better venting for
large buildings.
By 1650 the jambless fireplace was
obsolete. The mid-17th century saw an increased control of airflow
in fireplaces and chimneys as people developed a greater understanding of
venting. Stoves were becoming popular for heating rooms, and there were hearths
developed specifically for cooking, laundries, and industrial uses. The Dutch
continued using the jambless fireplace, but the form was so impractical that in
the 1750s it began to disappear in favor of the smaller English-style hearth we
recognize today.
Few examples of the jambless fireplace
survive, all of them from the first half of the eighteenth century. The Luykas
Van Alen house in Kinderhook, the Jean (Jacob) Hasbrouck house and
Bevier-Elting house on Historic Huguenot Street in New Paltz, Washington’s
Headquarters in Newburgh, and the Roeloff Westervelt house in Tenafly, New
Jersey are the most famous examples.
Restored jambless fireplaces are in the
Cornelius Schermerhorn House in Kinderhook, the Peter Winne house in the Metropolitan Museum
of Art, and the Schenck House in the Brooklyn Museum. Other surviving or
restored hearths are in private homes.
One example is in the Half Moon Tavern (www.halfmoontavern.com) in the Ostrander-Elmendorf house in Hurley. These
restorations are not only meant to restore the buildings’ original character.
They are thoughtful choices to value the early Dutch history of the area and to represent the Dutch protectiveness of their distinctive, precious culture.
Jean (Jacob) Hasbrouck house, Historic Huguenot Street
Further reading:
The Hudson Valley Dutch and Their
Houses, Harrison Meeske
Dutch Vernacular Architecture in North
America, 1640-1830, John R. Stevens
Dutch Colonial Homes in America, Roderic
H.Blackburn
The Jean Hasbrouck House
Mabee Farm
Wyckoff House jambless fireplace
The Egg Dance, 1552
Fireplaces can range from the standard spark arrestor curtains to large, pivoting, ornate decorative braces.
ReplyDeleteOne of the best articles that I’ve read in a very long time! I Took notes and surely gonna implement and test bunch of stuff you talked about.
ReplyDeleteYou’re a beast! Cheers, Ash
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